Friday, April 14, 2017

Never Stop

Danny Baker never stops. Over three hours onstage at the Royal Hippodrome Theatre in Eastbourne last weekend, with his Cradle to the Stage show, and he barely gets beyond his primary school years and a handful of reminiscences about great comedians he came across in the 80s. But then he has never stopped: nascent scribblings for Sniffin' Glue, a stint at the NME, yoof documentaries, prime time television shows, comedy writing, ground-breaking radio shows and, most recently, autobiography and its subsequent sitcom serialisation. Transferring the raw material from his autobiographies to a stand-up show was supposed to be his swansong before he retires to the Florida Keys but another tour is already booked for next year so that, despite his many digressions ("Now, here's a thing..."), he can at least get onto his adult life proper.

Once he actually starts his routine - we have a very engaging half-hour preamble about why he's actually doing the show - Baker tells warm and funny anecdotes about his dad, Spud, and family life in Bermondsey. These are extensions of the excellent Cradle to the Grave TV show and are all told with Danny's familiar amphetamine delivery: never missing a beat, never drawing a breath. There are great stories about kids and fireworks, insurance burglaries and his dad's general resourcefulness in always chasing the next pound note to provide for the family. It all paints a picture of life on a south-east London council estate in the 50s and 60s which stays just the right side of nostalgic. But when he mentions his mum's jobs at Shuttleworths and Peek Freans, I can't help but feel a little sentimental: my dad worked at Peek Freans when I was a kid and, such were the employee perks, that I was a teenager before I saw what an unbroken biscuit looked like.

After the interval, when he does move on to his career, he attributes his breaks to "dumb luck" - being in the right place at the right time and having perfect recall. Working on The 6 O'Clock Show, his forensic knowledge of obscure past routines enables him to make instant connections with irascible comedians Spike Milligan and Kenneth Williams when the pros around him are floundering. His love of comedy shines through: he talks about Max Miller albums as being more important to him than the contemporary pop music he and his friends were listening to growing up, and he seems genuinely in awe of the fact that he is on a stage where Miller once trod the boards.

He is a marvellous raconteur and, despite claiming to be out of his realm of experience, a natural performer. In fact, his avowal that he is new to the stage is not true: the first time I ever heard of Danny Baker was reading an account in the August 1977 Sniffin' Glue of him jumping up onstage at the Vortex the night Elvis Presley died to berate the punks, who had cheered the news, for being disrespectful to a true rebel. Hopefully, we'll hear that story on next year's tour; but I'm not holding my breath.

Cradle to the Stage is at the Theatre Royal, Brighton on 30th April.

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