Showing posts with label Downland. Show all posts
Showing posts with label Downland. Show all posts

Thursday, November 23, 2017

Blue and Green



Exactly a year ago, when I was writing about the obsolete word apricity - used to describe the warmth of the sun in winter - I was admonished by a correspondent who pointed out that, as meteorological winter did not begin for another week, I could not have felt the winter sun. My response was that there was frost on the ground, it was bloody cold and therefore, to my mind, it was winter and what little warmth the sun gave me was apricity.

Walking in the countryside around Alfriston yesterday, I could not make the same claim. Yes, the sun's rays were shining down but it did not feel at all like winter. With December just around the corner, it was a mild morning and, with the exception of the odd cold day, typical of how the weather has been for weeks, now. Worryingly, it is as if the climate became fixed in early October.

It all made for an idyllic walk as we left Waterloo Square in the centre of Alfriston and headed down to the Cuckmere River to follow its winding course away from the village and toward the sun. Apart from a cloud of smoke from a tree-feller's bonfire, the sky was clear blue and the gentle downland surrounding the valley a vivid green. This is the landscape that inspired the author Eleanor Farjeon to write the hymn Morning Has Broken in 1931; it could have been on such a day that she penned the line, "mine is the sunlight, mine is the morning".

Despite the weather putting a spring in our step, the path on the western bank was well trodden and muddy so, as we arrived at our turning point - the Litlington White Horse high above us on Hindover Hill - we crossed the river for the less heavy-going eastern side. The firmer ground underfoot and the sun at our backs both hastened our return to the village for a midday retirement to the pub.

Tuesday, January 1, 2013

Downland: part three

Arriving at Firle Beacon, exposed to the full westerly current as it travelled across the landscape to meet the land mass, this was Ridler at his most free. Away from the cell’s dimensions of the caravan, the narrow minds of the village, the puritan judges of a world stiff with conformity, he was alive. The ochre sun, now drowned in the horizon, coloured the very top of the spiralling clouds above him. He discarded his jacket and shirt and - bare-chested, arms spread wide, head thrown back – felt the strong, warm breeze on his stigmatised skin. Below him, the panoramic vista he had grown to rely upon: the wheat-packed fields mapping away from him to the cloud-mirrored ridge of the Weald; the county town of Lewes, cradled in the creases of the surrounding hills; the tied villages, standing firmly at the centre of their feudal estates; and the Tower, that single turret of sturdy split flint that so mocked his own Englishman’s castle. The solid and unchanging landscape of tradition, of England. Ridler, himself born so English, had made himself so foreign; and now he felt connected to this pastoral idyll, this England, but not to its people. He inhaled deep and long through his nose and exhaled loudly and capaciously from his mouth until his breath became first a bellow and then a roar. A roar of affirmation, a roar of freedom, a roar of innocence: he could not be blamed for the way the Writer’s brief stay had ended. Way down in the village of Firle, had anyone looking up been able to see or hear clearly, they would have made out a variegated bestial figurehead on the bow of the Beacon, sailing away in the fading light, proclaiming the clarity of his conscience.

Replacing his jacket and shirt, Ridler draped a scarf over the top of his head and held it in place with a battered, broad-brimmed felt hat he had taken, with the scarf, from his jacket pocket. Tying the scarf under his chin, in such a way that only eyes, nose and mouth were visible, he began the climb down to Firle picking his way carefully down the gradient. He could see the car lights on the Lewes Road, fuller now but still a dull, lazy amber, and a cloud of steam as a train was leaving Glynde station. These – the road and the rail - demarked the two lines he would need to re-cross before he could feel less threatened. When he would be walking in the cool and quiet of the tree-lined lanes that led him home, he would be happy. As he descended, the stiff breeze of the Downs subsided and the flat land rose to meet him.

Thursday, November 15, 2012

Downland: part one

The Downs. The solemn, swollen hills; the perpetual sward of the south, stretching from Winchester in the west to Eastbourne in the east. Undulating, by turns it slopes and sheers to the sea in the south; the covering of ancient woodland cleared millennia ago, ovine-manicured grassland now dominates. At the eastern edge, its northerly face gazes down onto the villages under its shadow and to the distant settlements of the Weald. The Downs: the grass below, above, the vaulted sky. The Downs. And on a day in June 1958, between its silhouetted escarpment and the orange-tinged archipelago of late evening altocumulus cloud, a tall figure could be seen. Avoiding the main path, occasionally obscured by gorse, it was restlessly heading west, intent on descent before the sun finally set. The open landscape of chalk and grass spread before him, the benign breeze faced him; the intersection of stile-less farmers’ fences his only obstacle. He had seen no others since before he had begun his climb when he crossed the Lewes Road and his form, illuminated in the half-lights of a speeding Morris Oxford, had startled the driver into swerve and skid. More anxious than usual on this day to be off the Downs, Ridler’s object – the Beacon – was still some two miles distant. For the past year, he had avoided the nightwalking that had sustained him during his first seven in Downland. Now, he preferred only the interregnum - dusk and twilight - but the risk of capture in the gaze of others was always present. It had been like this before, but in those years from the summer of 1950 he had found some acceptance and, from it, a freedom. The Writer had changed that a year ago to the day and Ridler had barely understood; but he had resolved to remove the risk of a repetition of the events of that previous June.